To be satisfactory, a scholarly interpretation of a Greek tragedy must enable the present-day reader to see the play, so far as is possible, through the eyes of the fifth-century audience. If it does not, if it merely substitutes the predilections of a particular scholar for those of the reader, it is useless, and indeed worse than useless; for the reader unassisted by the interpretation of others may well examine the play critically for himself, while the reader with an interpretation (...) at his elbow is likely to make every effort to fit the ideas of the tragedian into the schema provided for him. Certainly, more and more interpretations are of the kind which assist the reader; but a significant number even of the most recent throw more darkness than light on their subject by refusing to acknowledge the whole context of value and belief in terms of which the tragedians wrote, and the audience watched, these dramas. The result of such misinterpretation is frequently, as in the case of the two I shall discuss here, to present for our admiration a more high-minded and uplifting drama than the one which Euripides wrote; but our concern is presumably not to achieve this end, but to understand Euripides and his audience. (shrink)

Heidegger's thought has recently been made more available to English readers by the publication of two books: one a translation of one of Heidegger's works, the other, by Thomas Langan, an American scholar, described as a critical study of Heidegger. Heidegger's philosophy has had little or no influence in England; and this seems a good opportunity for considering whether this neglect is merited, or whether some defence can be offered of Heidegger's curious manipulations of the German and Greek tongues. Since (...) An Introduction to Metaphysics philosophises on a basis of Greek, though it purports to be philosophy, not history of philosophy, most of this article will be concerned with Heidegger's use and abuse of that language. I shall suggest, however, that the same conclusions hold good of Heidegger's use of German. (shrink)

This article falls into two parts: the first is an analysis, in the light of my earlier discussions of and of the Homeric usage of and the second, an attempt to show that, as in the case of the effects of Homeric usage persist to a considerable degree in the moral philosophy of Aristotle. In the earlier discussions I have argued that the higher value placed upon the competitive in Greek entails that co-operative relationships, even when valued and necessary, take (...) the form dictated by the more valued qualities, the The most general words to denote co-operative relationships in Greek are and its derivatives: my purpose here is to show how the Homeric usage of these words is related to the Homeric standard and to Homeric society, and to sketch in the outline of a wider discussion, which I hope to be able to fill in later. (shrink)

This article falls into two parts: the first is an analysis, in the light of my earlier discussions of and of the Homeric usage of and the second, an attempt to show that, as in the case of the effects of Homeric usage persist to a considerable degree in the moral philosophy of Aristotle. In the earlier discussions I have argued that the higher value placed upon the competitive in Greek entails that co-operative relationships, even when valued and necessary, take (...) the form dictated by the more valued qualities, the The most general words to denote co-operative relationships in Greek are and its derivatives: my purpose here is to show how the Homeric usage of these words is related to the Homeric standard and to Homeric society, and to sketch in the outline of a wider discussion, which I hope to be able to fill in later. (shrink)

This article falls into two parts: the first is an analysis, in the light of my earlier discussions of and of the Homeric usage of and the second, an attempt to show that, as in the case of the effects of Homeric usage persist to a considerable degree in the moral philosophy of Aristotle. In the earlier discussions I have argued that the higher value placed upon the competitive in Greek entails that co-operative relationships, even when valued and necessary, take (...) the form dictated by the more valued qualities, the The most general words to denote co-operative relationships in Greek are and its derivatives: my purpose here is to show how the Homeric usage of these words is related to the Homeric standard and to Homeric society, and to sketch in the outline of a wider discussion, which I hope to be able to fill in later. (shrink)

This paper will discuss the behaviour of and in the Homeric poems. These words are allotted a variety of different ‘meanings’ by the lexicographers. For example, LSJ s.v. I. pray, II. vow, III. profess loudly, boast, vaunt; s.v. I. prayer, II. boast, vaunt, or object of boasting, glory; s.v. I. thing prayed for, object of prayer, II. boast, vaunt. I shall, of course, discuss the whole range of these words; but I begin with some observations on ‘prayer’. It may appear (...) at first sight that ‘prayer’ is a simple word, with only one conceivable ‘meaning’, which must have that ‘meaning’ in any language. We might suggest that ‘request addressed to a god’ is an adequate representation of that ‘meaning’, and that when we have rendered by ‘pray’ in what appear to us to be appropriate contexts we have conveyed the full sense of the original. (shrink)

In this book, Professor Adkins undertakes an examination of certain key value-words in the period between Homer and the end of the fifth century. The behavior of these words both affected and was affected by the nature of the society in which their usage developed. The author shows how only with a complete understanding of the implications and significance of these value-words can the essence of the Greeks and their society be grasped.

Since other readers of Mr. Creed's recent interesting article may find themselves in a similar puzzlement to my own over certain statements there made, I offer this reply in the hope of providing elucidation. It is clear that someone named Adkins has perpetrated something heinous; but that ‘someone’ manifestly holds views which differ in a number of important respects from my own. The most convenient method of demonstrating this fact would be to juxtapose passages of Creed with passages of (...) my Merit and Responsibility; but since space does not permit the juxtaposition of whole passages, I confine myself in the first part of this article to juxtaposing the references. (shrink)

The literary criticism of the Greeks and Romans furnishes some of the most baffling documents which have come down to us from antiquity. Nor could it be otherwise. Few elements of language can be at once so ephemeral and so elusive as the overtones of words used in aesthetic contexts; even in our own language it is only with a conscious effort that the appropriate overtones of words used by quite recent critics can be recalled. Such recall must be much (...) more difficult where the reader is concerned with a dead language; in the case of some terms it may well be virtually impossible; but where the ancient critic is discussing ethical criteria for literature, as Aristotle does in Poetics 13, the modern interpreter is in a somewhat better position, for ethical terms are used in wider contexts, contexts which involve action, and there is more opportunity for studying their usage and endeavouring to recapture their elusive overtones. (shrink)

Since other readers of Mr. Creed's recent interesting article may find themselves in a similar puzzlement to my own over certain statements there made, I offer this reply in the hope of providing elucidation. It is clear that someone named Adkins has perpetrated something heinous; but that ‘someone’ manifestly holds views which differ in a number of important respects from my own. The most convenient method of demonstrating this fact would be to juxtapose passages of Creed with passages of (...) my Merit and Responsibility; but since space does not permit the juxtaposition of whole passages, I confine myself in the first part of this article to juxtaposing the references. (shrink)

The literary criticism of the Greeks and Romans furnishes some of the most baffling documents which have come down to us from antiquity. Nor could it be otherwise. Few elements of language can be at once so ephemeral and so elusive as the overtones of words used in aesthetic contexts; even in our own language it is only with a conscious effort that the appropriate overtones of words used by quite recent critics can be recalled. Such recall must be much (...) more difficult where the reader is concerned with a dead language; in the case of some terms it may well be virtually impossible; but where the ancient critic is discussing ethical criteria for literature, as Aristotle does in Poetics 13, the modern interpreter is in a somewhat better position, for ethical terms are used in wider contexts, contexts which involve action, and there is more opportunity for studying their usage and endeavouring to recapture their elusive overtones. (shrink)

This is an original and stimulating collection of articles by scholars trained in classics, moral philosophy, political science, literature, and intellectual history. Its principal objective is to convey to the modern reader a sophisticated understanding of Homeric and Classical Greek morality and how it differs from our own. Some of the articles focus primarily on Greek value concepts, especially the concept of arete. Others compare those concepts to modern notions of virtue and tolerance, as well as to the work of (...) contemporary literary figures and philosophers, including T.S. Eliot, Alasdair Macintyre, John Wallace, and Philippa Foot. Throughout, the juxtaposition of ancient and modern ideas and the worldviews they presuppose makes these readings both intellectually exciting and revealing. (shrink)